I'm not looking forward to projecting Grindhouse.

The title of the movie Grindhouse refers to old theatres that used to run exploitation movies all day long (grinding). The prints of these films tended to be really damaged due to being played on poor equipment by bad projectionists. The end result was badly scratched prints with a lot of splices and missing frames. The bad projectionists resulted in things like missing switch overs, playing the reels out of order or film jams. A film jam is visible to the audience by the film burning through. As soon as the film stops moving the light burns right through it. (See Image)

Have you ever noticed new films represent old films by simulated scratches?

As is apparent from the trailer and what I've read in various articles the directors of Grindhouse have had a field day making Grindhouse representative of what the audience would see in one of these theatres by artificially adding damage. I even read it's going to be missing reels.

The first time Western Film plays a film, usually Friday night the projectionist either watches it or keeps an eye on it while doing other things. He/She is watching for any mistakes we may have made in putting the film together or problems with the film as it came in.

So the first time through whomever is watching it will have to figure out whether any of the 'damage' is real. For example if the film goes out of frame we'll have to figure out whether we put it together wrong or they did it intentionally and will fix itself.

I can't decide if I should watch it or get one of my projectionists to do it. I would be better at deciding what is real and what is faked but after years or working as a projectionist I tend to almost instinctively react to problems. I think I'd be completely stressed out the entire film.

If you haven't seen it yet watch the trailer below and you'll see some of the 'damage' just in the first few seconds.

BTW There's also some simulated damage in Fight Club.