Cool TRON stuff

I remember seeing the original TRON movie back in 1982 and being absolutely enthralled. I convinced my father to buy me a Vic-20 which was one of the first home computers. It was called the Vic -20 because it had 20 K of memory...yes you read that right, 20K not M. The entire computer ran on what now is the size of an average picture file. The back-up device was a cassette Drive which was also how one loaded programs. Needless to say I was disappointed when I couldn't recreate the world of TRON in that computer. It could do the horizon look pretty good though, but not the Light Cycle.

The sequel comes out Dec 17 and the trailer makes it look amazing. I hope it lives up to it.
I found these videos of a couple of cool-tie-in Toys that are also coming out. The remote control car actually drives up the wall?!

Check out the videos and then the trailer if you haven't already.

That was Close...

I was working as projectionist tonight. The movie playing was The Girl with the Dragon Tattoo which is a long, intense thriller. The movie was in the credits and only one guy was left in the theatre watching the credits. Suddenly the power went out for no apparent reason. Initially he gave me a bit of a dirty look thinking I had turned the film off on him but the entire building was dark. I was so glad the power didn't go off even 5 minutes earlier, imagine sitting there for 2 1/2 hours and suddenly the screen goes blank right at the climax of the film?! The power was only off for a few minutes so I could have finished showing the film but sometimes it's off for hours.

It was kind of odd, the power usually only goes off during thunderstorms and it wasn't even raining.

It reminded me of a time that did suck. I was working at the Galleria Cineplex back in 1998 for a matinee of Saving Private Ryan. That movie is almost 3 hours long. It was about 10 minutes from the end and suddenly the bulb went dark, so the screen went dark, but the sound would have continued. The manager wanted me to change the bulb but it's dangerous to change a bulb when it's hot so I said I had to wait 20 minutes. The people got passes or whatever but I wasn't able to finish running the show for them because it would have screwed up later showings. When I started running the film through I noticed it had gone dark right when a major character was having his big death scene. Ouch.

A Brief History of Western Film.

For those of you joining the program already in progress I thought I'd give a bit of a back story to Western Film.



Western Film stated as student club called the Western Film Society sometime in the early 80's. I have some paperwork and schedules from 1982.



At some point the name was changed to Western Film Community. At this point WFC was still a student club. Members worked 'shifts' in the theatre.



WFC ran 16 mm films on the weekend in Middlesex College rm 110. Usually 3 or 4 different movies a weekend, a mix of new stuff and old stuff. This was before home video was as popular as it is now. We brought back things like Bill and Ted's Excellent Journey, Scarface, Die Hard. Heavy Metal was really popular because at the time it wasn't available on video at all, just film.



I joined around 88/89. I became a VP and then President.

Around 1993 it was getting harder and harder to operate as a 16 mm theatre. The distributor we had to use was ordering fewer 16 mm prints. So we faced a choice between going to video or going to 35mm film which is what most theatres used. With video projection at that time even an expensive projector looked like crap. So we decided to go 35mm.

At the time a license was needed to run 35mm equipment in Ontario. Luckily I was working in a magazine/variety store downtown at the time and knew a projectionist who agreed to train me and fib a bit on how many hours I had apprenticed. It was supposed to be 800 hrs. I did about 50 but that was enough. The licence was largely a holdover from when the film was flammable. However one was still supposed to do the apprenticeship and do a written and practical exam to get the licence.

The USC bought 35 mm film equipment and installed it in Middlesex 110. We had to get the University to expand the existing projection booth. Even still it was pretty tight. I had to crawl under each projector to get to the other. We were running 20 minute reels with switchovers so I often had to do it in the dark and in a hurry.

About a year later the UCC was renovated and we moved into the McKellar room. Before the renovation it was just a big square one story room. During the renovations they added the second story and the balcony.

There were a few things that sucked. Because the room is oriented on the diagonal we had to settle for a fairly small motorized screen in the back corner of the stage. I think it was 20 feet wide. The floor was flat with these silly little chairs that hooked together. The only door into the booth was on the far side away from the entrance.

Basically it was the old multipurpose room that ends up good for nothing, the acoustics were good for live stuff but bad for movies.

I trained and we licensed a couple of other members to do the projection.

It was about this time I left to work full time as a projectionist at Famous and Cineplex which at the time paid really well (mostly because the union controlled all the licences). I was also running my home business selling collectible magazines.

Right around 1999 the projectionist thing was coming to an end. The government had, to many
people's surprise, eliminated the apprenticeship part of the licence. Cineplex and Famous immediately began 'training' their managers and getting them licensed by writing the test.

In the time I was gone WFC had become Western Film, had gotten actual theatre seats put in, put a door on the other end of the booth, started running 7 days a week with paid staff and a full time manager. This was mostly done by my friend Mark Maclellan who was president of WFC after me for a couple years then ended up working there full time. He was promoted to the manager of Entertainment Productions of which Western Film was a part. Someone else ran Western Film for about a year then quit.

At this point I saw the end coming with projection at Cineplex, I figured it was only a matter of time before they eliminated the licences entirely. The wages had already started to come down since the union had lost a lot of it's bargaining power. Luckily the job at Western Film opened up and I applied for and got it. I had a 35mm licence which was still needed at the time, was familiar with the organization and loved movie theatres.

This was in November 2000. The next summer we put in the current, larger, screen and a better theatre sound system. That was the last really big project we had until this summer when we finally got our permanent concession stand instead of pushing it all out on carts every night.

So we come to the current Western Film. At some point we are going to put in a Dolby Digital sound system. We have DTS digital sound but it has a big weakness in that the CD-Roms have to come with the print which doesn't always happen. With Dolby the digital sound is on the film.

The next big thing will be the replacement of the 35mm equipment with a Digital Projector. I figure about 2010 it's going to start getting hard to get 35 mm prints in a similar fashion as happened before with 16mm.

These is one other possibility: the USC is taking over the gyms when Campus Rec moves out. I've always thought they would make a nice little three or four plex. Not likely to happen but I can dream can't I?